[ "Sensational," huh? He raises an eyebrow even as he smiles. ]
Thanks.
[ Best to not point out that the interior was actually kind of a mess, with "kind of" being used generously. Even with the bay doors as wide as they are, Peter still steps to one side to allow her in. ]
Name's Peter Quill, by the way. Dunno if they mentioned. [ Also probably best not to mention the fact that he has an outlaw name. His criminal record hadn't exactly come up during negotiations, which led Peter to believe they weren't aware of it, or else didn't care. He banks on the former, rather than the latter. ]
[ He says it with good humor; he loves his ship dearly, but the Milano is hardly the most impressive ship out there. He steps back once she's properly on board, punching the button to shut the doors behind them. Once he's sure the doors have locked, Peter nods her over to one side of the ship. ]
[ When the bay doors close behind them, Penny visibly hesitates, expression falling. This was it, wasn’t it? She was never going to see Ruby or anyone else ever again. God, she didn’t even know if they were okay. Or if they were even alive. ]
[ The change in her demeanor doesn't pass his notice; he didn't get the full story on why the kid needed transport out of here, nor did he care to ask (it wasn't his business), and while he's curious, it's not in Peter's nature to pry for information. Still, he pauses, frowning. ]
[ Penny hesitates again, eyes fixed on the bay doors. Unlike Peter, she has no sense about what is okay and what is not to ask people about, or what constitutes as “prying”, which is why she blurts out: ]
[ The question catches him off-guard, and he blinks a couple of times before answering. ]
Yeah. I have.
[ The answer is straightforward enough -- nothing cagey about his response, aside from its brevity. Telling a kid about all the times he's ditched a fellow Ravager for the sake of finishing a job probably isn't particularly wise if he wants to keep his rap sheet to himself. And it's probably not what she's looking for, anyway. ]
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[ One small suitcase and a little backpack.
She approaches the open bay doors and Peter, looking at the ship with undisguised wonder. ] Sensational!
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Thanks.
[ Best to not point out that the interior was actually kind of a mess, with "kind of" being used generously. Even with the bay doors as wide as they are, Peter still steps to one side to allow her in. ]
Name's Peter Quill, by the way. Dunno if they mentioned. [ Also probably best not to mention the fact that he has an outlaw name. His criminal record hadn't exactly come up during negotiations, which led Peter to believe they weren't aware of it, or else didn't care. He banks on the former, rather than the latter. ]
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[ You said that already Penny... ] Thank you for picking me up. I'll do my very best to stay out of your way.
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Hey, don't worry. We've got a ways to go, so you might as well make yourself at home.
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Right!
I’ve never been on a real, actual spaceship before.
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[ He says it with good humor; he loves his ship dearly, but the Milano is hardly the most impressive ship out there. He steps back once she's properly on board, punching the button to shut the doors behind them. Once he's sure the doors have locked, Peter nods her over to one side of the ship. ]
C'mon. I'll show you your room.
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Right. Okay. Lead the way.
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If you need a sec to yourself...
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Have you ever had to leave someone behind?
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Yeah. I have.
[ The answer is straightforward enough -- nothing cagey about his response, aside from its brevity. Telling a kid about all the times he's ditched a fellow Ravager for the sake of finishing a job probably isn't particularly wise if he wants to keep his rap sheet to himself. And it's probably not what she's looking for, anyway. ]
It's never easy.
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Friend of yours?
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[ Her only friend. ]
She doesn't even know I'm okay.
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I pretty much got a time, a date, and coordinates, so. [ He shrugs. ]
It's not my business to know more than that.
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I see. [ A beat. ]
Everyone thinks I’m dead.
[ She’s really, really tired of secrets. ]
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I'm guessin ' there's a real good reason for that, too.
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I um. Something went wrong.
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How wrong, exactly?
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[ she clears her throat, nervous and self-conscious ]
You know.
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One more time?
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You sure you should be telling me this?
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But I don't want to lie anymore.
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